Sunday, 16 November 2008
Bauhaus in Bexhill
The shabby gentility that is Bexhill-on-Sea boasts the wonderful De La Warr Pavilion. This 1935 Modernist masterpiece was the work of Erich Medelsohn who won the RIBA competition for its design. Mendelsohn, a contemporary of Bauhaus stalwarts, Walter Gropius, Breuer and Moholy Nagy came to Britain following the rise of German Nazism. The Earl De La Warr was socialist mayor of Bexhill and it was he who persauded the local council to develop this prime site for their own social purposes. Mendlesohn, in partnership with British architect Serge Chermayeff presented a radical design involving ferro-concrete over a steel frame. The building was to comprise a hall seating 1500 and also included a 200 seater restaurant and other areas which would probably be described as ‘break-out zones’ in ghastly modern parlance, which now serve as shop, galleries and public spaces. The result remains a triumph - the perfect seaside building, so light and airy and where you are always aware of the outside weather conditions. To the South there’s a fabulous spiral staircase which takes you to the restaurant and which contains this extraordinary lamp of polished aluminium and neon tubes. Set in the floor is the circular plaque reminding us of the designer and of the opening date. On a sunny day this stark white building is incredibly dramatic and still has the power to inspire. Do visit if you get the chance - the restaurant and bar serve good food and there’s usually an interesting exhibition in progress...which is why I was there. There's a Ben Nicholson exhibition until January and it's a real stunner! A well curated show of works made throughout his life, from figurative to abstract and back again. I’d always admired his father William’s work as illustrator, lithographer and creator of that beautiful graphic alphabet - his son is very different, but equally fascinating. Ben was married to Barbara Hepworth, the second of his three wives and clearly the two fed off each others prodigious talents. The Pavilion somehow seems the perfect space in which to view these paintings.
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4 comments:
I love this building. I think I've said elsewhere that to the folk of Bexhill in the 1930s this must have appeared like a bright young thing doing a Palais Glide down a bowling green. Well, something like that.
You're absolutely right and put it far more eloquently than me.
Jon, catching up. Brilliant, brilliant post. Off to Bexhill pronto.
Thanks Fred, good to have you back.
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